1929 · CLOSE READING
Confessions of Aleister Crowley
Confessions of Aleister Crowley (1929), PDF p. 207
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207
Importance of Being Earnest --- he "contracted an alliance with a tabloid and married into a pill-
box", we thought that all was over. But no! he went around the world, and set to
1. C. Paul Bartlett, N.J.W.Morrice, D.Crowley, L.Kelly, I.Heward Bell, J. Ivor
Back, I. One Kite, G?, B. Penrhyn Stanlaws, S. One Root.
(348)
work with his powers of observation to help an imagination which had by no become original and
vigorous. He turned out some first-class work; and, what is in some ways better, work on the right
side. He castigates the herd of many swine feeding which we call society --- as it is now late to
drive their devils back into the Jews, where they are terrible congested.
But in 1902 we were right to chivy him!
It had leaked out that our luckless victim had taken a medical degree and J. W. Morrice1 used to
torment the poor fellow, whose distress was accentuated by his being a confirmed stammerer, by
ringing the changes on this disgraceful episode of his career. Morrice was invariably mellow drunk
all day and all night. He would look up from his crčme de menthe and oeufs sur le plat, clear his
throat and tell Maugham with grave importance that he would like to consult him on a matter
concerning the welfare of art and artists. "What would you do if ---" and after repeating himself in a
hundred ways so as to prolong the rigmarole to the utmost, he would wind up by confessing to the
premonitory symptoms of some comic an repulsive malady. It was really needlessly cruel, for, bar
his pretensions to literature, there is not an ounce of harm in Maugham, any more than there is in a
packet of sterilized cotton wool. Even the pretence is after all a perfectly harmless affectation.
But Maugham suffered terribly under the lash of universal contempt and did his best to revenge
himself by drawing portraits, as unpleasant as petty spite could make them, of some of his
tormentors. His literary method, when it transcends plain scissors and paste, is the shirt-cuff
method of Arnold Bennett. I must thank him for recording some of my actual repartees. The man he
most hated was Roderic O'Conor. This man was intimate with Gauguin, Van Gogh and Cézanne. In
my opinion history will class him near them as a painter. I do not think he has many superiors in art
alive today. But very few people have seen his pictures. His contempt for the world goes beyond
that of Balzac and Baudelaire. He cannot be bothered to give a show. He will turn rudely from his
door a friendly journalist bent on making him famous and rich. Also, he is a cad.
To O'Conor, Maugham was not even funny. He was like a bed bug, on which a sensitive man refuses
to stamp because of the smell and the squashiness. I have never felt thus. To me the least of human
beings, nay, less than they, have a place in my heart. "Everything that lives is holy." I can hardly
bring myself to resent even the vilest and most offensive creatures. I have never been able to bear
malice; I have never been able to understand how other people can do so. When I have been
attacked, I have always looked at
{349}
1. This amiable and worthy colonist occupied a studio on the Quai des
Grands Augustins (now, I suppose, called Quai Maréchal Fous-le-Camp),
most conveniently situated over the apartment of an excellent midwofe:
though I never heard that he had occasion to avail himself of her
services.
the matter impersonally. When I am publicly accused of stealing the towers of Notre Dame, I enjoy
the joke thoroughly. I can't believe that anything can hurt me. It would hurt my pride to admit it, I
suppose. When a newspaper prints three columns, identifying me with Jack the Ripper, it never
occurs to me that anyone in his senses would believe such rubbish. I imagine that my integrity is
universally patient as sunrise; I can't realize that I shall suffer in the estimation of anyone, or that
(say) it will interfere with the sale of my books.
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