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would have been incorrect for the Buddha to say "I was that holy hare". He should express the facts 
as follows: There is a consciousness of a tendency to perceive that holy hare and this man Gautama 
Buddha, as collection of impressions in which the one partially determines the other. This 
connection tends to produce the illusion of an ego whose experiences include the phenomena 
associated, then with the hare, now with the Gautama. 
There are two main methods of acquiring the Magical Memory as defined above. One is to train the 
normal memory to work backwards instead of forwards, so that any past action is presented to the 
mind after the manner of a cinematograph film set running in the reverse direction. (I never 
succeeded fully in acquiring the technique of this method.) The other is to deduce from present 
circumstances those which gave rise to them. 
Just so, one may deduce from the examination of a position on a chessboard what line of pay 
brought it about. One could not be absolutely sure; the pieces might have been set up by a 
madman; but granted that the position is intelligible, the laws of probability make it as certain as 
anything can be that it arose in a certain way. Now in considering one's life one has more material 
for investigation than a single position; one has a series of successive positions. Intelligent inquiry 
ought to be able to deduce not only the unknown past, but the unknown future. We have no 
hesitation in reconstructing the boyhood of Swinburne --- presuming the absence of 
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direct information -- from his works. His poetry proclaims that he studied classics sympathetically 
and profoundly, that he was influenced by pantheistic, anti-clerical and republican friends, and so 
on. 
Astronomers, again, observing an infinitesimally short section of the course of a planet or star, 
confidentally pronounce on its position in the past and the future, and even in some cases calculate 
its complete orbit. There is therefore nothing a priori absurd in trying to discover one's own nature, 
history and prospects, at least within very wide limits, from careful consideration of one's known 
characteristics and environment. "Explore the rivers of the soul," says Zoroaster, "whence and in 
what order thou has come." I saw that if I was to be intelligible to myself, I must do so, and this 
resolution resulted in the critical events which made the months of November, December, January 
and February the most important period of my life so far as my personal attitude to myself and the 
universe was concerned. 
His life as a bikkhu had not been too good for my guru. The abstinence from food after sunset is bad 
for the health, bit Allan found that after three weeks he got into the habit. But he was likely to be 
haunted by the ghost of his dead appetite. He had, moreover, got into a very shocking state 
physically from lack of proper hygiene and perhaps also of proper medical attention, as well as from 
his determination to carry out the strict rules of the Order. He had acquired a number of tropical 
complaints. 
I felt that my poetry had been undergoing a transition and I was not sure of my feet. Allen told me 
that he thought the most magical line in English was Coleridge's "And ice, mast high, went floating 
by." The comparison is not with mountains or cathedrals, though they are taller than masts. The 
imminence of the ice is expressed by the phrase chosen and the reader is put upon the deck of a 
ship. He becomes, maugre his teeth one of the companions of the Ancient Mariner. 
This conversation led to my endeavouring to put a certain vividness of phraseology into my poetry. 
"The Eyes of Pharaoh" was my first attempt to give vivid and immediate images. I chose my similes 
so as to strengthen the main theme. Later in the month, at Mandalay, I wrote approximately half of 
"Sir Palmede the Saracen". The idea of this book was to five an account of the Mystic Path in a series 
of episodes, and each episode was to constitute a definite arrangement of colour and form. Thus, 
Section I shows the blue and yellow of sea and sand, a knight in silver armour riding along their 
junction to a point where an albatross circles round a mutilated corpse.