Thelema ScholarTHE ALEISTER CROWLEY COLLECTION
← Confessions of Aleister Crowley
1929 · CLOSE READING

Confessions of Aleister Crowley

Confessions of Aleister Crowley (1929), PDF p. 465

Original page

Enlarge ↗
Original scan of Confessions of Aleister Crowley, PDF page 465

Highlights use the original PDF text layer. OCR-only matches may not be visible on the scan.

Transcription

Download text ↓
raw extractionoriginal embedded textReview: unreviewed
465 pledged word to me, and partly because my heart was broken by the perusal of the books which I had asked Leila Waddell to bring back from America to furnish me with material. They left me without a glimmer of hope. The trashiest piffle of England was Swinburne and Stevenson by comparison. The morality of American authors was too ghastly to contemplate. The artistic unity of the entire output consisted in its commonplace coarseness, behind which was the fixed determination to go for the dollars. There was neither ambition nor conscience anywhere. My already zero opinion dropped below the liquid air mark. My first personal acquaintance with the actual conditions of the present time did not improve matters noticeably. My first glimmer of hope was supplied by the "candle and the flame" of George Sylvester Viereck. Here at least was a man with a mind of his own, a worthy aspiration and an excellent technique, even though the actual achievement was nothing to leave home for. His prose was better. The Confessions of a Barbarian which purport to describe Europe are excellent. Europe is the stalking horse from behind which he shoots his wit. Every shot tells, and all are aimed at America. No better study of the United States has ever been written. Through Viereck I met his friend Alexander Harvey who professed to admire my work and offered me the opportunity to reciprocate. At first I failed. I had somehow got the fine idea that he lacked virility and seriousness, and that his work was a shadow show. I had not understood my author. Only after reading Shelley's Elopement and his book on Howells did I attain full insight into his mind and manner. But, having done so, a great light dawned upon me. I had to acknowledge him as a master. In the series of essays on which I am working at present I have consecrated one to him. I need only observe there that Alexander Harvey, more subtle and ethereal than Poe himself, possesses a delicacy and a sense of humour as exquisite, elfish, elusive as any man that ever wrote. His irony is incomparably keen. That I should have missed the point taught me a much needed lesson. To pick up a book, persuaded that no good thing can come out of Nazareth, makes appreciation impossible. Harvey introduced me to Edwin Markham, whose The Man with the Hoe, and other poems is assuredly first-rate of its kind. His work is uneven and it would be absurd to assert that he is of outstanding excellence. He lacks the stature of the sacred legion, but at least he proved to me the existence of what I had till then doubted; a poet true to himself and fearless of opinion; capable oh high aims, conscientious in pursuing them and {736} courageous in proclaiming them. I looked about me from that moment for a second poet, but here indefatigable research proved fruitless. Self-styled poets and poetesses are as common in America as common bacilli in a choleraic colon. They swim and squeal and squabble and stink unbelievably. The principal poetess present was E. W. Wilcox, looking exactly like a shaved sow plastered with brilliant unguents in a Greek dress and with a wreath on her wig. It was to vomit! In Europe, outside negligible cliques in Soho, buzzing round people like Ezra Pound and even smaller patchers of pretence in Paris, poets have some sense of dignity. They do try to write, and talk as little as possible about it. In America poetry is a branch of the patent medicine business. The medicine does not matter; what does is the label, the puff and the faked testimonial. A very few manage somehow or other to turn out occasional stanzas, with some kind of idea in them fluently and even powerfully, but with the exception of Markham and Schauffler there is practically nobody at all who even understands what poetry means. The one aim is self advertisement. In the matter of prose, the situation is altogether different. As remarked elsewhere, the first urgent need of the country is a critic whose words carry weight, who knows good from bad, and could not be bullied or bribed. These were found in William Marion Ready, Michael Monahan and H. L. Mencken. The two former were not fully efficient. They were too refined to take off their shirts and plunge head foremost into the rough and tumble, but Mencken understood the psychology of the cattle he was out to kill, and he poleaxed them properly. Having thus secured the services of of a
Page provenance & review flags

Stable page ID: 5ef44b98d8f9c4af5f6f86e1:p00465

Line breaks are preserved. Reading order and OCR accuracy may need review.

Printed page label has not been verified.

  • No automated review flags. This does not establish transcription accuracy.