1929 · CLOSE READING
Magick in Theory and Practice (Section 1)
Magick in Theory and Practice (Section 1) (1929), PDF p. 73
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to command, being a forcible breath controlled by the firm circle
of the mouth.
He is the Open Eye of the exalted Sun, before whom ail
shadows flee away: also that Secret Eye which makes an image
of its God, the Light, and gives it power to utter oracles,
enlightening the mind.
Thus, he is Man made God, exalted, eager; he has corne
consciously to his full stature, and so is ready to set out on his
journey to redeem the world. But he may not appear in this true
form; the Vision of Pan would drive men mad with fear. He must
conceal Himself in his original guise.
He therefore becomes apparently the man that he was at the
beginning; he lives the life of a man; indeed, he is wholly man.
But his initiation has made him master of the Event by giving him
the understanding that whatever happens to him is the execution
of his true will. Thus the last stage of his initiation is expressed
in our formula as the final:
F — The sériés of transformations has not affected his identity;
but it has explained him to himself. Similarly, Copper is still
Copper after Cu 4-0 = CuO : -h H2S04 = CuS.Oi^O):
-h K2S = CuS(K2S04) l 4- blowpipe and reducing agent
= Cu(S).
It is the same copper; but we hâve learnt some of its properties.
We observe especially that it is indestructible, inviolably itself
throughout ail its adventures, and in ail its disguises. We see
moreover that it can only make use of its powers, fulfil the possi¬
bilités of its nature, and satisfy its équations, by thus combining
with its counterparts. Its existence as a separate substance is
evidence of its subjection to stress; and this is felt as the ache of
an incompréhensible yearning until it réalisés that every expérience
is a relief, an expression of itself; and that it cannot be injured by
aught that may befall it. In the Aeon of Osiris it was indeed'
realised that Man must die in order to live. But now in the Aeon
of Horus we know that every event is a death; subject and object
slay each other in “love under will”; each such death is itself life,
the means by which one réalisés oneself in a sériés of épisodes.
The second main point is the completion of the A babe Bacchus
by the O Pan (Parzival wins the Lance, etc.).
37
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