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1954 · CLOSE READING

Magick Without Tears

Magick Without Tears (1954), PDF p. 100

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THREE SCHOOLS OF MAGICK (I) 67 decorous of the Biblical legends which refer to Noah. It simply captures for its own purposes the convenience of Scripture. Here follows the excerpt from the Vision: And a voice cries: Cursed be he that shall uncover the nakedness of the Most High, for he is drunken upon the wine that is the blood of the adepts. And BABALON hath lulled him to sleep upon her breast, and she hath fled away, and left him naked, and she hath called her children together saying: Come up with me, and let us make a mock of the nakedness of the Most High. And the first of the adepts covered His shame with a cloth, walking backwards, and was white. And the second of the adepts covered His shame with a cloth, walking sideways, and was yellow. And the third of the adepts made a mock of His nakedness, walking forwards, and was black. And these are the three great schools of the Magi, who are also the three Magi that journeyed unto Bethlehem; and because thou hast not wisdom, thou shalt not know which school prevaileth, or if the three schools be not one. We are now ready to study the philosophical bases of these three Schools. We must, however, enter a caveat against too literal an interpretation, even of the parable. It may be suspected, for reasons which should be apparent after further investigation of the doctrines of the Three Schools, that this parable was invented by an Intelligence of the Black School, who was aware of his iniquity, and thought to transform it into righteousness by the alchemy of making a boast of it. The intelligent reader will note the insidious attempt to identify the doctrine of the Black School with the kind of black magic that is commonly called Diabolism. In other words, this parable is itself an example of an exceedingly subtle black magical operation, and the contemplation of such devices carried far enough brings us to an understanding of the astoundingly ophidian processes of Magicians. Let not
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