1954 · CLOSE READING
Magick Without Tears
Magick Without Tears (1954), PDF p. 54
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INTRODUCfION
21
is simple enough : you happen to be the kind of being that
thinks it does matter what course you steer; or, still more
haughtily, you enjoy the pleasure of sailing.
No, there is this factor in all success: self-confidence. If we
analyze this, we find that it means that one is aware that all
one's
men tal and physical
faculties
are working
harmoniously. The deadliest and subtlest enemy of that
feeling is anxiety about the result; the finest gauze of doubt
is enough to dim one's vision, to throw the entire field out of
focus. Hence, even to be aware that there is a result in
prospect must militate against that serenity of spirit which is
the essence of self-confidence. As you well know, all our
automatic physiological functions are deranged if one is
aware of them. This then, is the difficulty, to enjoy
consciously while not disturbing the process involved. The
obvious physical case is the sexual act: perhaps its chief
importance is just that it is a type of this exceptional
spiritual-mental condition. I hope, however, that you will
remember what I have said on the subject in paragraphs
15-17 of my Third Lecture on "Yoga for Yellowbellies" (pp.
71-72); there is a way of obtaining ecstasy from the most
insignificant
physiological
function.
Observe that in
transferring the whole consciousness to (say) one's little
finger or big toe, one is not trying to interfere with the
normal exercise of its activities, but only to realize what is
going on in the organism, the exquisite pleasure of a function
in its normal activity. With a little imagination one can
conceive the analogical case of the Universe itself; one can
understand the phrase "The stars of the morning sang
together";
and, still less fettered by even the mildest
limitation which material symbols necessarily (however little)
suggest, "Remember all ye that existence is pure joy." (AL,
11:9.)
Is it too bold to suggest that the gradual merging of all
these Ways into an interwoven unity may be taken as one
mode of presentation of the Accomplishment of the Great
Work itself?
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